The second night of semis is harder to predict than the first this year. It isn’t really that the quality is higher (four of the top five contenders in the betting odds are in the first semi, after all). It’s more that there isn’t such a big distinction between the top contenders and the rest in this semi. With the right set of circumstances, you could make a case for almost any of these entries qualifying. Some of the borderline entries have also been helped by the running order, evening things out even more.
Kicking things off Thursday evening is PeR from Latvia, with their upbeat party anthem “Here We Go”. This is squarely at the bottom of the betting odds, but number one in the running order is the best starting position the boys from PeR could hope for. Could it qualify? I will be interested to hear the reactions from their first rehearsal onstage tomorrow.
Next up is fan favorite San Marino, also known as Valentina Monetta and Ralph Siegel 2.0. After last year’s ridiculous “Social Network Song”, it’s actually kind of heartwarming to see Ralph and Valentina come back with something so different and… GOOD! Currently at 10th to win the whole shebang in the latest odds, it’s a fairly safe bet that San Marino will finally break out of the semis this year.
On the other hand, F.Y.R. of Macedonia started out with a good song this year, but has slowly making things worse with every change. Esma even mentioned that Macedonia would have done better to pull out of the contest this year than switch to “Pred da se Razdeni”. Lozano has an honestly good voice, though his part of the song reminds me a bit too much of Donny Montell’s “Love is Blind”. But Esma’s wailing in Romany feels so inauthentic and grafted-on that I find it hard to imagine this qualifying.
Next up, the little country that could, Azerbaijan. Will Farid keep up his country’s flawless string of top ten entries? Probably so, though I think his English pronunciation really needs some work. “Hold Me” sounds a bit like a Dima Bilan cast-off, circa 2006, but it should definitely qualify.
The big fun change of pace in this half comes when we get this year’s only bit of harmless, silly 80s-style pop. Krista Siegfrieds bubbly “Marry Me” is definitely a breath of fresh, bubblegum-scented air in the second semi. Will she put in the girl-on-girl kiss and its implicit statement in favor of same sex marriage? Can’t wait to find out!
Malta’s simple singalong “Tomorrow” is sweet and harmless. Gianluca is pleasant and charming, and this year Malta’s fortunes could go either way. The right staging would do a lot to help sell a little love song like this; let’s hope they do something catchy to get viewers to remember “Tomorrow” come voting time.
Bulgaria brought back their only succesful artists, Elitsa and Stoyan, to hopefully bring back the fine placing they achieved in 2007. “Voda” was a lot better than “Samo Shampioni”, so it’s anyone’s guess whether lightning will strike twice for the percussive Balkan ethno-folk duo.
Iceland is serving up their first entry in Icelandic since Páll Oskar’s “Min Hinsti Dans” in 1997. This year it’s Eythor Ingi with the lovely unadorned ballad “Ég á Líf”. Eythor is a solid vocalist, and his native language is one of the loveliest to sing. The bettors don’t think much of Iceland’s chances this year, but I think it could surprise.
Greece chose an entry that I initially HATED, “Alcohol Is Free”. It’s the kind of manic zaniness that we expect to hear from Moldova, and makes not a lick of sense. But Koza Mostra have been one of the most popular acts every time they perform this song at any of the Eurovision concert showcases this year, and EVERYONE expects it to sail through to the finals. I am still not in love with it, but I grudgingly see its appeal.
From this group on Thursday, I expect Greece, Azerbaijan, Finland and San Marino, plus maybe Malta or Iceland to pass through to the finals. Latvia, Bulgaria, and F.Y.R.O Macedonia will have a tougher time.