One of the not inconsiderable problems of Sweden organizing Eurovision this year in their gorgeous capital city is that Stockholm has an overwhelmingly great music scene at any time. Add in Eurovision and your senses go on overload and you have to pace yourself or risk burning out.
From yesterday to the end of this week, the schedule is packed TOO full with great events and free concerts. At any given hour I could happily be at three different venues enjoying a spectacular concert, and every night after the Eurovision show ends at 11:30 or so, there are other options just warming up for the night. Happily, my days of staying out till 5 or 6am at a club are long past, so I can stifle a little regret and tuck in for the night around 1 or 1:30. The next couple of days I have to make a point to slow down and enjoy the other fine things this city has to offer, otherwise I will leave Monday without getting out of the Eurovision and Swedish pop music bubble.
I just got home from a big party/concert organized by the fan website Wiwibloggs, which looked great on paper. Seventeen Swedish and Eurovision star acts are on, and the show will go on for the next three or four hours. Unfortunately the sound at Hard Rock Cafe was appallingly bad, and I had to beat a hasty exit before my ears started bleeding from the overamplified, distorted sound near the stage.
Isa, the assured 17-year old new face of Swedish pop, had the right idea when she stopped midsong and said she would start over when they got the speakers fixed. It got slightly better and she did her song. At least I didn’t feel bad tearing myself away after her set, knowing that the performers I would normally give my eye teeth to see and hear would be performing under really subpar circumstances.
Now off to the jury show of the second group of semifinalists.
Last week I noticed that ESCtoday was having an Instagram contest to win a pair of tickets to see brilliant and hilarious Icelandic diva Hera Bjork perform her show “The Queen of Effing Everything” at the Playhouse theatre here. I had nothing to lose, and gave it a shot.
Guess what? I woke up this morning to an Instagram message on my phone that I was selected as one of 6 winners, so I know what I am doing tonight. My ESC traveling friend Phideaux hasn’t arrived yet, and my Danish friend Christian is busy in the press centre all day and evening, so I think he is connecting me with a friend of his to come along.
Can’t wait to see and hear fantastic Hera, and will try to get pictures at the show tonight.
The Irish twins with the sky-high hair just can’t stay out of the Eurovision news. Though it seems mostly like a nice chance for them to walk around Tokyo and dance in their underwear, the new official video of Jedward’s 2012 entry “Waterline” has just been released. They look good in the hairdos they are styling (more mature and yet younger at the same time). Good luck to John and Edward, and I am sure you will make Baku a lot more fun!
This morning I was struck by any interesting idea for a post, search Google for a fan so passionate about Eurovision that he or she got a tattoo to show for it. When I got home and did the search, I found that JEDWARD had done just that, taken the plunge and each got a Eurovision tattoo to demonstrate their love for the Contest. Great minds think alike, eh?
Edward gets his back tattooed for Eurovision
Ahead of representing Ireland in the Eurovision Song Contest in May, Jedward have shown just how douze points hardcore they are by getting Eurovision tattoos. Sean Venter from Dublin tattoo studio Zulu tattooed John on his lower arm and Edward on his upper back – two of the most painful places to be tattooed – with MUZU.TV there to witness the inking. John said: “My tattoo really hurt but Edward and I did it for Eurovision as we so want to win the competition for Ireland.” Edward added: “Having a tattoo with John is really cool. It’s always going to be a special memory for us in 2012, especially if we win Eurovision.” — rte.ie, 30 March 2012
Some years the Song Contest is good, others just ok. But a few times a decade it really comes through on all fronts and rises to the LEGENDARY level.
In 2006 I ordered TV Espana on satellite because it was the only international channel that was cheap and easily available without installing a custom dish that carried the semifinal and final shows of Eurovision Song Contest. Back then I had high-speed (haha to that claim!) DSL from AT&T, but the internet feed was still not too reliable and was prone to breakups and buffering. So armed with a strong television feed (with Spanish announcer) and the weaker internet stream from eurovision.tv, I watched and was totally mesmerized!
The plotlines the various entries added to the mix were worthy of a screenplay. The prime battle appeared to be the war of the Eurovision comeback divas between host country Greece’s Anna Vissi and Sweden’s former ESC winner Carola, who both had strong songs with clear winner potential. Meanwhile Romania was hot off a third place showing in 2005, and presented a modern international dance club stomper that threatened to climb the podium. The mighty former Yugoslav republics had a top winner candidate in Bosnia and Herzegovina’s “Lejla”, written by Balkan heartthrob Zeljko Joksimovic (who had just been a Eurovision runnerup in 2004).
Another “young gun” came out of nowhere and into the top rank of contenders. Dima Bilan was a well-known pop star in Russia, but had not yet broken out into international stardom. His goofy mulleted quiff attracted attention, and his number was definitely a Eurovision classic “too much is never enough” moment (especially when a ballerina rises out of the onstage grand piano). Dima stormed into second place and then came back in 2008 to win the whole contest!
Then into this heavyweight championship mix strode one of the oddest and most beloved entries seen on the ESC stage in many years. Finland’s monster metal band Lordi were an UTTER dark horse going into the contest. They charmed the crowd in Athens by never being seen out of their monster costumes and makeup the entire competition week, and by the final night people were just starting to ask, “Is Europe ready for THIS as the song of the year!?” When the scores were counted and Lordi achieved a crushing victory, that question was answered!
Some countries think the way to Eurovision success is a classy entry in perfect taste, with a subtle chanteuse and a spotlight. That sometimes pays off (think classic French ballad entries). Then there are the countries who know that their song for ESC is not that strong in and of itself, so they throw everything including the kitchen sink into the staging. Whether it works or not, these numbers are usually a lot more fun to watch!