Cheat sheet for American viewers of ESC 2017
Some Eurovision entries are just bad in a WTF-sort-of-way. Some entries are great songs with the wrong singer, or vice versa. And some are just too anonymous to find a voting audience. Pick a few from all these possibilities, and you have the bottom of the fan lists and betting odds for 2017. There’s a very good chance that the home viewers won’t see any of these entries more than once, since they will either fail to qualify out of their semis, or they are automatic qualifiers you will see only in the Grand Finals before they ignominiously drop like a stone in the final voting.
This year we have two of the Big Five automatic qualifiers that are destined to fail. Spain is recent years has been alternately VERY good or very lame. Unfortunately Manel and his summer beach disco reggae falls in the latter category. He is young and attractive, but the song is so repetitive and filler-ish that it is hard to see this as anything but bottom three in the Saturday night scores.
Germany, despite a recent win in 2010, has more often presented poor-quality entries that scrape the bottom of the barrel in the last decade. This year “Perfect Life” is a nice-ish little song that is okay and inoffensive, but it is hard to see who (if anyone) will pick up the phone and be moved to vote for poor Levina.
Czech Republic has struggled since it joined the ranks of Eurovision nations, only last year qualifying for the Finals (and landing with a thud in last place there). This year they tried to recreate their formula from 2016 with an attractive, competent singer and a big ballad, but this time the magic just isn’t there. Without any history of neighboring countries voting to help them, the Czechs seem destined to fail in the semi and fail to qualify.
Lithuania did well last year, even cracking the top ten with handsome and athletic Donny Montell and a Swedish-composed entry. This year their home-grown alternative rock is sinking like a stone, and there is almost no scenario that sees them getting past the semi with “Rain of Revolution”.
And tiny San Marino is the little country that could–one time only in 2014, after several failed attempts at qualification. Returning for a 4th go-round is local jazz vocal star Valentina Monnetta and her favorite composer Ralph Siegel (creator of a dozen ESC entries in the last four decades). The song this year, with duet partner Jimmie Wilson, is a disco mishmash that has camp appeal. But that alone doesn’t seem enough to save this throwback from the lowest ranks of semi non-qualification.